{"id":672,"date":"2010-03-12T12:41:59","date_gmt":"2010-03-12T12:41:59","guid":{"rendered":"http:\/\/funk.co.uk\/music\/bass\/satisfaction\/."},"modified":"2017-08-07T16:51:19","modified_gmt":"2017-08-07T15:51:19","slug":"satisfaction","status":"publish","type":"post","link":"https:\/\/funk.co.uk\/music\/satisfaction\/","title":{"rendered":"Satisfaction"},"content":{"rendered":"<p><!-- <object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"500\" height=\"417\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"wmode\" value=\"window\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/nd1b9kVJ6eE&amp;hl=en&amp;fs=1\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"500\" height=\"417\" src=\"http:\/\/www.youtube.com\/v\/nd1b9kVJ6eE&amp;hl=en&amp;fs=1\" allowscriptaccess=\"always\" allowfullscreen=\"true\" wmode=\"window\"><\/embed><\/object> --><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/b8qBUza1pO0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Relentless rasping saw-wave with a robotic call to pleasure makes Benassi&#8217;s &#8216;Satisfaction&#8217; peerlessly effective. If you don&#8217;t get it, don&#8217;t worry. It makes a lot of sense on the dancefloor.<\/p>\n<p>Despite my natural writing mode being a more traditional, instrument-based practise, I have enjoyed electronic music since I first heard sounds which I knew weren&#8217;t acoustic in 1960s psychedelia. I first played a synthesiser at art school in 1981 &#8211; an old but gold Arp Odyssey. It had two oscillators and no midi, but it was capable of marvellous resonant filtering and a deep bass frequencies. Along came electro, bridging between Berlin and New York as I constructed art sound installations and cobbled together audio samplers with a ZX Spectrum and a biscuit tin. Nobody suspected that just around the corner lay ACEEEED, ecstasy and the illegal and highly popular underground rave movement.<\/p>\n<p><img SRC=\"http:\/\/www.vintagesynth.com\/arp\/odyss-c.jpg\"><\/p>\n<\/div>\n<p align=\"left\"><a target=\"_blank\" class=\"tt\" href=\"http:\/\/twitter.com\/home\/?status=Satisfaction+http:\/\/funk.co.uk\/music\/?p=672\" title=\"Tweet this\"><img decoding=\"async\" class=\"nothumb\" src=\"http:\/\/funk.co.uk\/music\/wp-content\/plugins\/tweet-this\/icons\/tt-twitter-micro3.png\" alt=\"Post to Twitter\" \/><\/a> <a target=\"_blank\" class=\"tt\" href=\"http:\/\/twitter.com\/home\/?status=Satisfaction+http:\/\/funk.co.uk\/music\/?p=672\" title=\"Tweet this\">Tweet this<\/a> <a target=\"_blank\" class=\"tt\" href=\"http:\/\/www.facebook.com\/share.php?u=https:\/\/funk.co.uk\/music\/satisfaction\/&amp;t=Satisfaction\" title=\"Share on Facebook\"><img decoding=\"async\" class=\"nothumb\" src=\"http:\/\/funk.co.uk\/music\/wp-content\/plugins\/tweet-this\/icons\/tt-facebook-micro3.png\" alt=\"Post to Facebook\" \/><\/a> <a target=\"_blank\" class=\"tt\" href=\"http:\/\/www.facebook.com\/share.php?u=https:\/\/funk.co.uk\/music\/satisfaction\/&amp;t=Satisfaction\" title=\"Share on Facebook\">Share on Facebook<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Relentless rasping saw-wave with a robotic call to pleasure makes Benassi&#8217;s &#8216;Satisfaction&#8217; peerlessly effective. If you don&#8217;t get it, don&#8217;t worry. It makes a lot of sense on the dancefloor. Despite my natural writing mode being a more traditional, instrument-based practise, I have enjoyed electronic music since I first heard sounds which I knew weren&#8217;t &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[206,186,57,207,137],"class_list":{"0":"post-672","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-dance","7":"tag-benassi","8":"tag-dance","9":"tag-electro","10":"tag-satisfaction","11":"tag-synth","13":"without-featured-image"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/posts\/672"}],"collection":[{"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/comments?post=672"}],"version-history":[{"count":2,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/posts\/672\/revisions"}],"predecessor-version":[{"id":835,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/posts\/672\/revisions\/835"}],"wp:attachment":[{"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/media?parent=672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/categories?post=672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/funk.co.uk\/music\/wp-json\/wp\/v2\/tags?post=672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}